My recent body of work reflects my aversions to how our political climate infiltrates our lives and explores how we can find personal ways to resist these systems. In my art, I examine what it means to be the opposite of what is expected, as a form of protest against “Grind Culture,” or Romanticized Capitalism. Through concepts such as rest and community, I aim to broaden perspectives on how to resist the crushing forces of late-stage capitalism—or at least counteract the overwhelming sense of hopelessness it brings.
I have found comfort in working with soft materials, a comfort I hope others can also create for themselves. Recycled bed sheets, pillows, and comforters are recurring elements in this body of work. Organic forms bring my concepts back to the body and to the essential needs we often deny ourselves as biological beings who are expected to always be producing as much as possible. Exploring the many facets of this theme is central to my practice, as I find it deeply interconnected with everyday life. This nuanced topic fuels my art, which serves as both an expression of my personal views and an exploration for myself and my viewers.